Fall Apart

“Our undoing is also our becoming.”  
-Terry Tempest Williams

Fall apart.
Let yourself crash to the floor and come apart.
Pick up the pieces and see an iris of an eye,
a tree twig on another, a sliver of sky,
a letter that looks like it could be Q: 
a Question, a Quandary? a Quiet?
You are a puzzle you did not know you were.
Find the edges first then work inward from there.

When finished, fall apart again.
Pour yourself into the box of God. Shake.
Slide yourself out on the ground of being.
You are now a shattered crystal vase
to superglue with sunsets.
It will hold the roses you have just brought in
from your garden overgrown with excuses.
One hides a spotted lantern fly the experts say that you must kill.
You smash it. It becomes the pattern of your dying–
red and black scraped across the concrete pathway
you no longer walk that is still cemented in your heart.

Fall apart again

You are not just a puzzle to be solved
or something unwhole to be heroically healed:  
You are all of these and none:
your breath in continuing circle:
unknown to known: known to forgotten:
back again repeating: always new, always old:
your heart broken open to a begging world.

Once more, fall apart.

You are now a billion stars.
Orion and the Pleiades have left;
Wanda the Story Weaver is waiting
in the wings of your experience.

Find her.

-Kitty Yanson

Gangster’s Gift*

Before its leaves return in April’s sun,
the cherry tree flees the winter’s thuglike grip
with blossoms breaking from branches bare.
Was Al Capone aware that beauty springs
like this, unbidden, from naked bark when he
gave cherry trees in gratitude to weep
before the hospital that had agreed
to treat his curse of Venus, residual
remuneration from early gangster days
as brothel bouncer in old Chicago Town.
One tree remains, and every April now
this seasoned moll on a Baltimore street
joyously vamps her coy pink hair to the ground.

Was this gift his feeble shot at goodness?
Or did Capone’s decaying brain forget
he ordered massacres in lieu of roses
to celebrate the yearly feast of love?
Perhaps, recumbent now in his deep, big sleep,
he dreams of galaxies of rosy blooms
that briefly flirt with air, then petals fall,
implanting stars of blushing pink to feed
with constellations of rotted grace
the bloodstream of a forgiving earth.

My questions, too, are shaken to the ground,
and quiver from the strain of evil mixed with good.
But when this April’s sun enshrouds the chill,
a blessed moment comes, and I forget to think
as beauty stuns from being’s leafless stem.

-Kitty Yanson

* Al Capone was paroled from Alcatraz to receive treatment for his advanced neurosyphilis. First, he sought out Hopkins that was well-known for advances in this area. However, they did not take him on because of Capone’s notoriety. Union Memorial Hospital in Baltimore did treat him, and in gratitude, Capone gave the hospital two weeping cherry trees. One has survived and blooms every year in April on 33rd Street at the hospital’s former entrance.

What a Person Is

These two are you,
the label that is you and its referent
like apple and what it stands for,
its consonants and vowels aiming
to cram essence into fact
but miss the tightness of the skin
before surrendering to tooth,
the sweet flesh, the ping in the air
beneath the nose, the punctuation
of seeds as tongue and bite
circumlocute to center.

You are so much more than name
and occupation, marital status, and yearly income,
all words spilled like coffee grounds
on the counter of your days that turns you
into a measly datum excelling in surface
to scrawl across a spreadsheet.

But you, brought up from the root cellar of time
to dwell in that bowlful of harvest we share,
you are a sweetness in manner, a tartness
in sorrow, so full of flavor,
an open-ended richness like the exhalation
of mystery that escapes when you pierce
the skin of an O or an A,
liberating the breathing hidden in a word,
as together we swallow to our core
the hushed longing that lives there
with its seeds of unsayable truth.

-Kitty Yanson

Ecce Ancilla Domini

(After the painting of the same name by Dante Gabriel Rossetti–Behold the Handmaid of the Lord)

This girl cringes on her pallet
from the sight of an angel
standing in her bedroom
with fire at his feet.

She draws back against the wall
as if it were a blanket she wraps
around her thin body to hide.
She does not meet this angel’s eyes.
Instead, she cowers from the lily stalk
he holds before him like a stick
as if to beat her down with purity.

Or is she drawing back in thought
against this wall in her house of self
to recite the words, lovingly stroking
the iambs and anapests of heartbeat
cadencing in her belly as she waits upon
the language that will enflesh the wind?

Or is she distracted by the flames
this angel seems to tread
from far-off hope to promise,
a path of fire that leads
through gateways of dream  
past synapses of mind
to a conception of hearts?

Perhaps, she is not trying
at all to articulate the ineffable.
I think this Mary will practice
practical mystery as, half-asleep,
she rummages through her mother’s
store of medicines for salve to ease
the burning mission in Gabriel’s toes.
She’ll move to sooth the pain of angels first
before she folds that baby’s wails in her arms,
and, to make the world all better,
kisses the boo-boo’d finger of God.

-Kitty Yanson

Dancing Whole

When I was seven, thinking I was pleasing
my mother and God (in that order), I danced
at the communion rail, fingerpainting air,
my kid knees composing primordial poems
against the kneeling bench.

In the parking lot after Mass, she stopped me with a slap:
never embarrass me like that again, she said.
Of course, she was right, and I had been wrong
(which was usually the case),
so I folded my stinging face
into the envelope of my body, posted the pain
with a forever stamp, mailed it to forgotten.

Past seventy now with arthritic joints and neuralgia
in my face, I tell my analyst about that long-ago ballet
for which my mother clapped against my cheek
a hapless applause.

The undelivered letter opens;
story mixes again with unsealed pain, jolting,
like old lavender blended with blood’s steely tinge,
filling the vast space between us, me at home,
my analyst in Zurich, sitting across a virtual table.

Healing rarely comes alone. It needs a hand to hold,
someone to hear the cry that was uncried,
to say the name with love once unsaid with love,
to breathe in my pain, breathe out abiding presence.

Today, as I run my thoughts along the polished scar
that marks the knit of memory and hurt,
my girl voice calls me again to come
before a beaming God who cocks one
eyebrow and asks me ever,
Dance?

-Kitty Yanson

Dark Magic

I paint moonflowers in memory
of love songs that died in the night,
their blossoms now faint
on concrete floors, debauched,
in their wrinkled spentness,
as indecipherable hieroglyphs.

Moonflowers live a yesterday moment,
an unrepeatable serenade,
a transparent tissue of experience
like the thin iridescence
left on the sidewalk from the fireflies
we squashed, without compunction,
to enchant the night with stolen light.

We were children,
oblivious to the cruelty
of children, practicing dark
magic we had no right to but did
to conjure spells that
looked a little like love.

Now, older, we climb life
like moonflower vines, still collecting
cruelties committed in evening’s blur
to steal another glimpse of love
in the only way we know how
and we circle again and again
in the only way we know how
until the only way we know how
hurts
enough
to force
an inward
bloom,
with radiant
shadows,
fragile light
in humble
darkness.

-Kitty Yanson

The Truth in Trash

Crows circle grey sky
calling to one another,
fans cheering in a bowl of clouds
the brain-crushing brutality
of winter.

I want to hang a silver chain
in a pine tree branch
to lure them closer
but I’m told it is a legend
that crows love shine.
They aren’t the ones
who steal black stones
gleaming on gravestones
tokens left by grief;
these stones are too large
to be grit for gizzards to ease
a crow’s digestion.

I love stories like this,
but stories told a million times
do not make fact.

But it’s true raccoons work the night
for brightness, collecting old keys,
bottle caps, and bits of foil left over
from yesterday’s takeaway dinner.
They gorge on garbage
then forage through trash for shine.

So here I sit counting iridescent
dust specs on apocryphal feathers,
preferring airborne legends
to the earthbound truths
brought by sifting
the swill of my sins
for what’s hidden
inside the stink,
the silver wisdom
shining.

-Kitty Yanson

Fragile Harvest

I dreamed I sat in a darkening room
with many others at long tables
making food from spider webs,
by stacking them with great care
one atop another
until a whiteness emerged,
solid as air, to fill the hollows
in my daily bread.

Eyes dimmed, face covered
with networks of age,
I follow the pathways
of shadow, filigrees of light
that morning spins from night.
With delicate bones
I reticulate sidewalks,
tracing imaginary threads,
one way first, then another,
like tatting lace,
my heart the shuttle
beating time.

I walk this web that will soon
catch death in its embrace.
But in this lean time:
I feast on breath.

-Kitty Yanson

Francis v. Old Woman

An old woman lectures me about leaves
littering the sidewalk this late in fall.
Leave me alone, I tell her.
I will collect them when time
is left over after the day’s creation
…or the week’s or month’s…
of what I’ve yet to know.
This chore is just too steep
for me today. And I just read
some article or another
that said leaving them is good
for the soil.
But not for the sidewalk,
back she yells.

I know this old woman.
My head is her shoe;
she has so many duties
she doesn’t know what to do:
the concrete exigencies of time
and obligation, washing the dishes,
doing taxes; they scrape against my mind
like rakes against walkways.

So I lace up that old woman tight in her shoe
and kick mine off, sit in a chair,
and my cat Francis, who knows the leaves
I’ve left too long; he watched each one fall
saying in his kitty brain, wow,
I wonder if it will happen again
and it does, and wow,
I wonder if it will happen again
and it does, and did
becoming a great pile
of dead surprises.

He knows I’ve left the leaves too long
and just doesn’t care
as he explores paw by paw
the round perfection of my lap.

-Kitty Yanson

Indra’s Net

We sit like five points of a star,
until silence thins the veil of God.
Cathy in her steadiness reads
poems and scripture, snatches of essays
and stories teeming in intent and theme.

I am reminded of Indra’s Net,
the mythical fabric hung in the heavens
that stretches in all directions with jewels
at each fiber’s juncture. Each eye is a perfect,
singular gem, each reflects all the others:
infinity to infinity: everything holds everything,
splashed against the sky.

One by one, we speak to carve again
the opaque stones of our hiddenness,
reflecting facets that keen-edged life
has etched, each cut at a critical
angle with just the right amount of slant
for light to shoot forth to needle
a shining network shawl of meaning,
and we huddle into one
another’s words to warm
the chill of an indifferent world.

We are the power
we can see in one another’s lives,
diamonds of the first water,
each holding all, all holding each,
all, both catchers and caught, and
luminous, in the net of all wisdom.

-Kitty Yanson