Long Pond

By the edge of Long Pond, rosa rugosa grow
in barbed, white lines beside the dunes. We tack
across the moors through troughs of heather, back
and forth. For autumn roses we walk below
the scrub pines crested high. Our pace is slow.
We trace the tangled path of tangled pacts
of quiet, circling our discontents with tact,
teeth bared in smiles that mask what we both know.

Our dogs, direct as children, flush arsenals
of pheasant wings–wild things attacking air
with stiletto pinions, bladed shrieks, and dread
in feathered laughter slips through protocols
of silence. Soon, we cut white roses and bear
them back, each alone, in daylight’s final red.

-Kitty Yanson

In Northwood

I.
Once shocks had cured and dried in contours of time;
this field had gathered whiles of corn in long,
curved rows. But the war and the drought of men ended.
Flash floods of housing ran off down this hill
in torrents, puddled into close, brick queues
and cement alleys with iron-barred storm drains,
the teeth of Moloch we as children fed
with relinquished sneakers, stuck like virgins bound
for the deep, wet furnace that fed Herring Run.

These alleys are my wilderness of dragon’s teeth
and cracked glass slippers, the bones in my mother’s back.
I ride my horse, Tzarina, there. Raucous hooves
are borrowed jokers clacking against her spokes;
for reins, frayed clothes lines tied to handle bars.
Through the stick-ball games, the den of boys beneath
the bridge, the wiffle-headed trolls, I spur
in circles, bend hell, hold my breath, and pass
their puppy stink that whirls from their heads like a smoke
of gnats. I dodge their litter and insults hurled:
“girl,” squashed tin cans, “turd ball.” Fast, clatter fast
down the alley, low in Tzarina’s deep sway, her mane
in my face, her mane as long as August flags
my face with humid air. Like Sunday car
wash water, rush, like whispered sins confessed,
forgotten prayers expelled in a hiss, rush, rush:
the storm drain waits to hear my story told.
Tzarina rears. Hooves turn and slice the sun
to crescents. I will go to heaven when I die.

II.
In Northwood, trees were chosen not for grace
or stateliness, color of bloom, or autumn leaves
but for speed, exuberant growth. Our maple, rank
as Hydra, devoured time, spat seeds, platoons
of wishbones groomed for flight, stripped clean of all
but wings and banzai war cries that whirred the name
of earth in silent troth. My father raked
siege lines, demanded his turf against the Spring,
against these dizzy kamikaze seeds.
Still, some escaped to infiltrate the thatch
or mined beneath the concrete slabs till June’s
slow sun touched off a blast of rootwork, called
to attention stems, blades ready, fixed, alert
to the exigent stand, the requisite shalt be, of trees.

I am traitor. I glean the walks, gather green
from hoods of cars, and raid my father’s heap
of vanquished enemies. Through my fingers I sift
seed-eyes, brows arched in questions that fly unasked,
unpeel their wrinkled lids, un-half their hopes,
eat them, stick them in my ears to hear the wind
as trees do–ocean swarms, shelled whispers trapped–
toss them, watch them spin, twist the whirl-a-gigs
in my hair and call the birds to nest. I make
chains, rosaries to hang about my neck,
pray mystery language swiped from gargled chants
of radio novena priests: hail, fulla grace,
the lurid’s with thee, blessib is the fruit of thy wound,
(nod) Jesus. Wedging seeds up my nostrils, I
become a cross-eyed alien, scream like a cat
with saber teeth so upcurled that when I nod,
I fork up dinosaurs: yes, I kill, yes, I sleep,
I am older than you, more violent, more real,
I am fiercer than shadows street lights force from night.
I will live forever: as long as even Spring.

III.
Some years my father, half accountant, half
a hero, hewed the maple’s head. He said
this was essential discipline to stay
its excrescence. While this giant, panoplied
with leaves, took hostage the harrowed summer sky,
my father sipped inadequate old-fashioneds
and swizzled ambered thoughts of two AM
in Saipan. The officers club: unfinished, undrunk
Jack Daniels, Johnny Walker Reds, the rum
and cokes, the Tanqueray gins with their juniper taint
of evergreen, their tinge of poison faint
enough to immunize, not kill, all mixed
to a punch, doled out to the pilots of rescue flights:
the remains of courage. He had been last called.
Home now, he exchanged his pilot wings for wood
saws, planned the strategic moment, watched
the autumn’s yellow peril fade, the day
of weakness, the tree’s double timed-death
in December. Then struck. Deposed, the maple endured
through winter, its frozen cyclone and hardened rhyme
of seeds exposed by the oval cut, now crowned
with tar. A dark fist clenching life, it raised
its sleeping challenge: Know before whom you stand.

IV.
In this tree’s hesitation, stars are spawn, unschooled
until my father’s Sistine finger calms
the obstreperous moon to trace across the black
construction-paper night the forms of cartoon
stick things, connecting dots in this puzzle book
in constellations. He takes my gloved hand, lines
my sight with his” “Polaris. That’s the North
Star. Find it and never lose your way at night.
See? It leaps from the cup like a bubble that stings
your nose, an effervescence. Orion’s there
with his club, a hunter chasing pigeons–girls
they were once, the Pleiades, seven sisters loved
so hotly, so hopelessly pursued that a star
was born in Orion’s armpit, Beteljuice,
the gleaming sweat of eternal war. And there
is Lyra, the harp of Orpheus, playing the gods’
stone silence, while the swooping eagle, Vega, tunes
the strings, ensnaring those who listen, who spy,
on gods, with ears against the door of night.”

In a room upstairs, my brother cries in straight
unyielding arrows until my mother bends
them, coaxes them with lullabies to curl
in her lap like willow withes. The Polish words
I do not understand, but I know the tale
her body speaks: the phrase of powdered warmth,
the grammar of arms, the syntax of fluent skin.
the order of breath, the spelling of pulse. I’ve walked
the labyrinthine passages, open courts,
the columned temples, the pillared caves of sleep
against her breast. The winding trail of dreams.
Outside alone, I look to find a tale
of crooning mothers, but legends always flex
in unrelenting waves among the stars,
the bones of heroes that led my father home.
They leave no pages blank, without a word
to colonize, to fill with inevitable fact
and purpose, destination. They’ve conquered night.
But I want these stars, against the darkened wall
like shattered apples, to cling with bits of bright
debris, an unswept vacuum, and all the stars
dissolved but one. North Star. In the crook of my sight
it’s the never-closing eye of my motherland,
now foreign: an ache, a throb, a small white cry.

-Kitty Yanson





Boulder

We should have ended in Boulder, Colorado.
A place named Boulder sounds precisely bound
and self-contained. There trees would bleed no shadows
on the ground. A site so definitely nouned

would season quickly: leaves would snap in fall,
shear off, and drop like rocks; no subtle drift
to catch like a rotted pear in my throat and call
up dreams of flawless summers. Ends would be swift

and kind. In Boulder, time would hold no grey
and lonely voids for memory to fill
with breath; no twilights, no false dawns would stay
the final blow. Endings would strike once. And kill.

But they don’t. Each parting has a thousand strands,
Each over isn’t, each shattered boulder, sand.

-Kitty Yanson

My reading of “Boulder”

Eleanor

When she answers
it’s as if

shell pink china chings against saucers as she serves herself another cup and two lips please or I’ll take one or a piece of chocolate pie perhaps and she’s the girl at the tea party all alone absorbed in the discourse of her dolls, so be careful with these cups my dears the china is so thin that it will cut your tongue out if you’re not careful if you’re not very careful
not
very very
careful

her voice is distant slim and reedy as a ballerina spinning on her toes and I wait to see if weight will win and over it will flop like a top scuttling across the hardwood floor it doesn’t stop

her words click like knitting needles pulling yarn around and in around and in until from the waning ball they coax a blanket for her to hide within
or these words they turn like smoke that rises up and out the window up and out and there she goes there she goes she follows

I want to show her an amber ring I love.
Its flaws are called inclusions, breaking
light into pathways for grace
I’ll tell her how:
Like a relic in an altar stone,
pieces of childhood
are wrapped in resinous sap
and buried
beneath the northern ocean
by an earthquake
or an ice age.

But a day will come
after a storm
perhaps
that they will float
one by one
to the surface
of a sunlit sea.

-Kitty Yanson

The Anger of Doves

Perched on his chair,
seated on the edge of wisdom,
his stillness is a flight.
The rest of us laugh about lemon tarts,
their squishy softness like falling
into a woman with open mouth,
eyes shut. I don’t get it, he says.

I want to yell at him.
I want to tell him, for god’s sake, at least
name the dust motes at which you stare:
Ferdinand and Flower, Fred and Wilma,
Bibbitty Bobbitty Boo.

He baits us with breathing.
Tenting his fingers,
he pecks at facts
while we swallow whole
worms spilling up
from childhood and trace
the iridescent trails of slugs
by light of a quarter moon.
And he (politely) tells us:
I do not understand.

There is something in this nothingness
that bulges from the socket of a long-ago blinding,
that beats with an inverse heart.
Can everybody hear it?

Or is it just I
who once at an AA meeting
sat shotgun in a metal chair,
balancing a tin-foil tray on my knee
for the ashes of my story.
An old man leaned close
slipping words and cigarette smoke
into my ear: Beware the anger of a dove.

I went to refill coffee, slumped
into another chair, another row,
and gnawed the side of my thumb
until it bled. Why did my flesh plume
so suddenly red? He must have been
a loon, no doubt, who maybe planned
to gull me into bed, an old man’s
absolution, but why the burning of my face?
It must have been the graze of his beard
or the kind of shame
I never understand.

-Kitty Yanson

Sarah, Laughing at the Lord

Sarah laughs
and then dissembles.
No, I didn’t laugh, she says.
Sir, the night drapes
hot and limp upon the curve
of cricket song. It is that
you hear.

But he replies, oh no,
I’m not mistaken.
Laugh you do at My control
and nature, prone to bushes
kindled by obedience
and the whirlwinds that
spell My name
in the dust.

Sarah argues with the Lord
as she does with everyone:
me or her sister or the newest
Abram in her life whose daily
fare of hot dogs and sitcom reruns
wrinkles her overeducated nose,
but whose love for her is sure and filling,
a good meal, an after-dinner nap.

Her finger drives around her wrist
her silver bangle given by her mother
whom she hated. A beast persistent
at the millstone, this solitary finger
worries the unchangeable. Fifty
is an awkward age for
renovating epics; the cast of thousands
flake in their rounded tins, slivered moments,
transparencies slicing the skin:
the touch of the spindle: Sleep,
beauty. Sleep.

But Sarah laughs:
Can song, like fire, spring
from old bones tindering to each other
in the night? Can it be
there is no hiding,
that God’s power knows no bounds?
Or does she find Him out,
guessing that her Abram’s leap
to Abraham is nothing more
than Ha! a single syllable of surprise?
And does she know
that time is the child of whirlwinds
writing and rewriting the name
of the restless God
in her infertile ground.
And she will
call this utterly impossible blooming
They laughed.

-Kitty Yanson