Painting the Dames

This month has brought images in my sketchbook–paintings of the ladies who live with me in the little world of my head and heart. The first began using a Chagall portrait as my inspiration. My black cat Francis (who is growing purple with age and irritation) sat next to her, then a goldfish plopped in a bowl. I call this woman Lady C for Lady Creativity.

Then I had a dream that above a Gothic doorway was inscribed “Vocatus atque non vocatus Deus aderit” (Called or uncalled, God will be present), the inscription that C.G. Jung had above the doorway to his home and the office where he saw his patients. So Lady Creativity in the next painting stormed that door, mirroring my daily prayer that I borrowed from Darius Bashar, a meditation teacher on The Artist Morning website (https://www.artistmorning.com/.

Dear God, it goes, Please use me as a vessel for your divine expression. Use me as an instrument for your love. Give me the strength to go into the depths of my heart to find my truth and the courage to speak my truth in my own authentic voice. Whatever happens from there, I let go and let God.

In his approach to meditation, Darius uses Julia Cameron’s The Artist’s Way, a book I highly recommend to all creatives to help to feed their souls.

Then, I revisited my old friend Lady Wisdom, to me both a representation of Sophia, the feminine aspect of God, and an embodiment of the Great Mother Archetype. Francis my cat and the goldfish return again, but as I was painting, I saw skulls with flowers bloom while Lady W prayed the rosary of years. She became Baba Yaga, a Slavic fairytale figure with the characteristic doubleness of all archetypes: the benevolent grandmom and the witch who lives in a hut in the forest and terrifies children (which was, perhaps, the hidden reason why I thought 70 some years was the age when I would begin to terrify my students–though some of my former would say that I started much earlier than that). So Baba Yaga is here:

Finally, I had to render another Lady W, standing before the triple trees of life, representing, perhaps, the triple lives of women: maiden, mother, and crone. She wears a cloak of spirals and the moon in her hands. Someone once told me that living was like moving up a continuous spiral up the core of ignorance; when you start up the climb, you are flat up against the core of ignorance, so you cannot see what you do not know, the bricks of the core blind you in their proximinty. But as you ascend farther up and farther away from that core, you begin to see how much you do not know, and when you get to this age, it’s a heck of a lot. But at the same time, you can see the layers of circles you have traveled, the mistakes made over and over again, the former selves that have transformed and reshaped who you are today: the lady of wisdom, of knowledge and ignorance.

Immortality

My mother would have been 100 today.
Two, two two two two two she tittered
when asked her birthday. Back then,
all eight of us misbehaved in all directions:
Peter tortured Claudia’s hair with scissors;
Frogs from the creek found their way into bedsheets;
Strangers, reading dog tags momma
made Jack wear, returned our wanderer
from the last remaining barn In Northwood.
Sometimes, strap in hand, face pink as
our backyard peonies, she’d grab the nearest,
perhaps one with fanny prophylactically
padded with philosophy books from
the living room shelves. She laughed,
trying not to, yet sometimes happy thunder
struck, and she could not stop,
her laughter winding up
like an outboard motor, round and round
the circular pond of threadbare chairs
until no voice remained, only her breath,
like Precious Pup the cartoon dog
we watched on Saturday mornings,
her laugh went round and round until
we were all whirled up in a tornado of mirth,
all of us thrown to the floor and holding bellies
aching with joy, my brothers rolling around
like pups in their punishment of glee.

I got that way too, caught by fun,
laughing so hard I lost the sound
or, worse yet, sent out waves
of cackle that pulled my students
into a merry whirlwind. Out of control,
I imagined the other teachers said of my class,
out of control, such a frivolous fit.
I know mom sat with me then,
her laughing ghost in my teachers’ chair,
as close to me as breathing.

I like to think that some child
I taught grows up and laughs so hard
that she, in turn, catches her children
in a lasso of merriment and all
fall out of control for the good of joy.

And in the years ahead,
another all-grown-up child releases her
always-ready laughter two hundred years after
my mother’s two two two two two birth.

She will be there, and I with her,
in our legacy of laughter,
now nameless and faceless,
moving through the years
like love.